Meet the characters: Thomas Walker

This is the first in a new series of blogs, where I’ll be introducing you to some of the characters you’ll (hopefully) meet in my books. I’ll be giving you some insights into their background, my inspirations, and even my thoughts on their personalities. Perhaps I’ll even do some imaginary casting for when that film deal breaks! As always, it’d be great to hear readers thoughts too!

It makes sense to start with the main man himself, so without further ado, lets find out a little more about Thomas Walker.

So, first off, how do I picture Thomas? Thomas is in his early forties. He’s six foot two, and he’s well-built, and of course, handsome, with dark hair (some signs of grey now too), and very deep blue eyes. His skin is a little weathered, but not damaged, and he never lets his facial hair get beyond a rugged yet short crop of stubble.

Thomas hates suits, and his clothes are usually a blend of luxury, comfort, and practicality.

Perhaps readers might be surprised to learn that I never depicted Thomas with a Scottish accent. Although he was born in the Highlands, he has travelled all over the world, and was educated in England. He spent years in both America (Wyoming) and Africa (Kenya and Tanzania), so is certainly a well-travelled man. But as with any true Highlander, a trace of an accent will always make itself known.

Although we’ve never really met them in the books (yet), Thomas has a sister, and his parents own a small vineyard in France, which is famous for a rare, boutique wine matured in whisky barrels (of course!). As we learn in the first book, Shadow Beast, Thomas’s father is a skilled carpenter, who has passed on some of his knowledge to his son. He put it to good use in the renovations of an old deer farm, which he named Sasadh – Gaelic for a place of comfort.

In both of the books he appears in to date, his tragic past, in particular the death of his first wife, Amanda, affects him deeply. He keeps people at a distance, and suffers from night terrors. He doesn’t really have any close friends, except for his dog, Meg. He tends to bury himself in his work, whether building the house, or working as a wildlife biologist.

But, as anyone who’s read the books will know, he doesn’t work alone. Thomas works with Catherine Tyler, and his attraction to her (and strong, intelligent, independent women in general), is apparent pretty much from the off. I’ll let you find out how things develop there for yourself if you don’t already know!

Thomas is a Cambridge zoology graduate, conservationist, and wildlife researcher. But he has also been a hunter, a safari guide, and a professional tracker. He has always been involved in the control, management, or protection of wildlife one way or another. He is strongly against trophy hunting though, as we again find out in Shadow Beast.

Thomas lived in Africa for a long time with Amanda. Amanda was a zoologist and Thomas was a game guide and hunter. On a safari where Thomas had to help hunt down a man-eating leopard, one of the guests, who was an American TV producer, saw the potential in a show and they soon shot to fame hunting man-eating animals all over the world. In the fourth season of the show, tragedy struck whilst returning to Africa, and Amanda was attacked and killed by a lion.

Following the death of his wife, Thomas drank heavily and lived in the United States where he hunted mountain lions and other problem animals with tenacity. This is where he met Lee Logan, who helped turn his life around. Lee Logan and his team of expert trappers are important characters in Shadow Beast, and Lee’s son will make an appearance in the upcoming third instalment, Phantom Beast.

His charm usually hides his accidental arrogance, but not always. He is gently spoken, but quite forceful in getting his own way and he is approachable and understanding to a point, but when that point is reached, he has little tolerance beyond it. He has a cutting sense of humour best employed on those he knows well, but suffers guilt and upset if he thinks he crosses the line. His temper is rarely seen, but is usually provoked by injustice to others. When he is personally attacked, he is much more likely to retreat and retaliate when he is in a better position to do so. In many ways, he reacts like a predator by responding when he has carefully considered all of the options, but does so instinctively and by producing the most damage with the smallest of input. He is very considerate to those he is close to, but possibly accidentally dismissive to those he isn’t.

Thomas is clearly respected and liked in his local community. Outsiders might feel slightly threatened by him. He is confident and content with himself, but also very aware of his short-comings and is his own worst critic.

Some friends have commented how they thought Thomas was somebody I’d like to be. But, whereas I certainly share his petrolhead tendencies – and I’d certainly like his money, I actually probably wouldn’t get on brilliantly with him. He’s a little too arrogant and cocky for me I’d say. Maybe we’d meet for the occasional drink and catchup though.

When it came to my inspiration for the character, there’s no definitive singular source. For sure, there’s a little of Clive Cussler’s Dirk Pitt about him (although they admittedly wouldn’t look much alike). Perhaps more than a trace of Bond’s wit and appreciation of the finer things is in there too. And maybe, just maybe, there’s a little bit of the Preacher’s charm, empathy, and sense of justice from Pale Rider. You’ll have to wait until Phantom Beast until this particular cowboy gets a horse though.

And…who should play him in that yet to come movie deal? Perhaps a rugged-looking Henry Cavill? One of the two Toms (Hiddleston or Hardy)? Ben Barnes or Richard Madden might be interesting choices too. Guess we’ll have to wait and see!

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A Place for Product Placement

I’ve been quite lucky that in the twelve months Shadow Beast has been out, the worst review it has received has been three stars, with comments varying from a simple ‘okay read’ to another which gave away the twist and ending. 76% of the reviews give it a five star rating, with another 18% giving it the four star treatment.

Any author should be pleased with that kind of impact and feedback from readers who have put their money down, especially after nearly a year on the market.

However, a latest comment in a review did at least make me chuckle, and I took a little time to consider it. They weren’t very happy with the product placement in the writing. I also suspect he may have been a Land Rover enthusiast, as he took some umbrage that I referred to Thomas’s modified Defender as an Overfinch rather than a ‘Rover’ or ‘Landie’.

It is of course impossible to please all of the people all of the time, and I don’t intend to try, but I thought I would take a little time to talk about product naming and usage in writing generally, and in my own.

First of all, when a self-published author like myself names or uses real life brands and products in their books, it is very unlikely to actually be product placement, where a company has paid for its inclusion. That said, should Rolex be wondering which of their watches Thomas wears, and if they would like me to wear it as an endorsement, it’s this one, but with a leather strap.

Naming a product can have several purposes and uses to a writer. I use it specifically in three ways in the most part. Firstly, I use it to tell the reader something about the character. By associating a character with certain brands, I can provide you with an essence of their personal tastes, financial status, and even possibly things like age, gender and background, and normally in under three words. It can be very useful to set a scene, especially at the beginning of a story.

This is something that one of my favourite authors, Ian Fleming, constantly did. From providing his hero with a shiny Aston Martin DB4 in Goldfinger (you read that correctly, it was in the film that it became the eponymous DB5 we all know and love), to his Rolex (now Omega), the purpose was always to suggest Bond’s swagger by way of his swag.

Secondly, a specific piece of equipment is usually most easily described by its brand and model. I agree that you probably don’t need to know the serial number, but by letting you know that Thomas is using Leica binoculars or shoots a Holland & Holland .465 bolt action rifle, it should help the reader visualise it easier – or in the case of the gun, give you an idea of its power. I don’t see much point in going to great lengths descriptively when naming the product does everything I need it to do.

Another of my favourite authors, Michael Crichton, used this in his writing often. He would always go to great lengths to describe scientific apparatus, surveillance equipment and other items down to the model number. Sometimes I would look them up, sometimes I knew what they were, but I always had the visual reference. Clive Cussler is somebody else who is very fond of mentioning the exact make and model of cars, planes and weapon favoured by Dirk Pitt, his own hero.

Thirdly, by using a real product or brand, it can help reduce word repeats. It provides another option descriptively on top of common adjectives.

There is of course the obvious reason too. It’s always a little bit of wish fulfilment. Authors tend to give their characters the things they’d like to have, from simple attributes to sharp suits and expensive cars.

I know it isn’t always to everyone’s taste, but product naming and use does have a place. In the case of at least a few, it was my editor who asked my to specify brands for the reasons above.

Feedback also has its place, and I’ll certainly keep all of the kind comments and constructive criticism Shadow Beast has attracted as I prepare the sequel, The Daughters of the Darkness. Some, like my recent reviewer may be pleased to hear he’s ditched the Overfinch. I’ve given him a Twisted tuned Defender pick-up instead!

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