The Best (and worst) of 2017

So, as 2017 draws to a close, I’m taking a look back at some of the best and worst books, films, and TV that I had the good (and bad) fortune to fall for over the last twelve months. There may be some mild spoilers ahead, so be warned if you want to watch or read in blissful ignorance when it comes to any of my choices.

Books

Few and Far Between by Charlie Elder was one of the most entertaining and well-written books I’ve read in years. Told from the everyman’s perspective, the plight of some of our rarest animals and birds is explored with incredible charm, humour, and concern.

Talulla Rising by Glen Duncan is the second in the Last Werewolf trilogy. This no-holds-barred tale of Talulla and her child taking on the malevolent forces looking to rid the world of werewolves and other creatures is an absolute riot of blood, slaughter, violence, and mayhem. A great read.

The Invention of Nature by Andrea Wulf is a love-letter of a book, putting a well-deserved spotlight on the work and life of Alexander von Humbolt. As one of the first scientists to truly understand ecology and the connections between all living things, not to mention having more species of flora and fauna named in his honour, this book rightly puts his achievements back under our noses.

On the other hand, Hominid by R.D. Bradly just rubs our noses in it. After a promising start and a horrifying childhood encounter, bigfoot turns out to be a gentle forest giant with super powers.

Monster of the Mere by Jonathan Downes follows the exploits of the Centre for Fortean Zoology as they try to establish if a giant fish could really call one of England’s greatest nature reserves home. The premise is intriguing, but unfortunately the delivery doesn’t quite live up to the expectation. I am all for self-publishing, and I realise that costs can be prohibitive – and I can also forgive the occasional spelling or grammatical error. But averaging one a page tends to detract from the reading experience. The same lack of editing also means that Downes is free to explore wild tangents at leisure. The actual account of the investigative aspects of the ‘expedition’ could be reduced to a handful of pages at best. Perhaps its apt, given the CFZ journeyed from one side of the country to the other, but this book really goes all over the place.

If you really want to be depressed whilst reading a book, then pick up a copy of Hold the Dark by William Giraldi. From characters you can’t possibly like, to pretentiousness that’s hard to ignore, this was a perfect example of why you shouldn’t judge a book by its cover.

Films

Without doubt, my top film of the year was Logan. This gritty, sombre, emotionally violent finale to the wolverine movies gives the X-Men’s anti-hero the sendoff that not only he deserves, but the one we wanted to see. And catch it in the ‘noir’ version if you can for even extra atmosphere and a little bit of extra class.

And when it comes to emotional strings being tugged, Bladerunner 2049 should have received an award for best use of original music ever. If you’re not welling up by the time you hear ‘tears in the rain’ pierce the score, then you may want to question your own humanity, let alone Decker’s.

And in joint third place, we have both Star Wars: The Last Jedi, and Thor: Ragnarok. Both have their flaws, and both have proven controversial with their loyal audiences.

Star wars was probably my most anticipated movie of the year, and I personally find the running out of time storyline a huge improvement over ‘have to blow something big up’. There is some bold story telling along with impressive character development, but it is almost inexcusable that the line “I have a bad feeling about this” didn’t make the script. Director Rian Johnson says it is in there, but it is either uttered by a droid or a wookie, which is either pretentious, or more likely, sounds awfully like they forgot (if you’re not aware, it has been uttered in every single Star Wars movie to date). There are also some horrendous Disney-esque scenes, but I loved it.

Thor on the other hand, kills off a whole host of characters we have spent the last two films getting to know with explanation or ceremony, and leaves out one key character altogether, but makes up for it by squeezing every drop of comedy the God of Thunder has to offer. Both films are skirting dangerously close to getting it wrong, but have gotten away with it, at least for now.

But for an example of a film that flirted with the line of where not to go, crossed it, took a dump, and then kicked it in the general direction of the screen, look no further than Alien: Covenant. Just awful. Shockingly bad acting, a storyline that makes no sense and which took the advice of critics to ignore Prometheus a little too literally, plus some of the worst creatures and visual effects to grace the cinema ever, let alone 2017.

Other cinematic catastrophes included The Mummy, where Tom Cruise runs a bit and forgot he wasn’t making a Mission Impossible film. Russel Crow turning up as a certain Dr. Jekyll is amusing, but no where near as funny as what is meant to be his English accent.

And Underworld Blood Wars was a film where not even Kate Beckinsale wrapped in leather could distract from quite how bad things were getting for that particular franchise. Unfortunately, the tiresome war between vampire and werewolf needs a stake through the heart and a silver bullet to the head just to be sure.

Honourable mentions should go to Beauty and the Beast, John Wick 2, Wonder Woman, and Murder on the Orient Express, and even Justice League, all of which I enjoyed.

But dishonourable mentions should be awarded to xXx: The Return of Xander Cage, The Great Wall, Ghost in the Shell, and Transformers: The Last Knight. All were terrible, but not quite in the league of insult as those mentioned above.

TV

I’ll stick to the good stuff on the small screen, as I tend to only catch the stuff I know I like.

Let’s start with Billions. This is without a doubt one of the best written, most griping bits of television out there. A warring hedge-fund ‘king’ and a District Attorney get to grips with what real power can do, only to discover what it does to the people surrounding them.

And of course, winter eventually arrived and Game of Thrones delivered dragons on a scale we were never expecting. Unfortunately, we will have to wait until 2019 to find out how it all ends, as it’ll almost certainly beat the long awaited book to the finish line.

So, there you have it – my 2017 in books, film, and TV. On to new discoveries in 2018!

2017: A reflection.

I often have my most profound thoughts and reflections at the oddest of times. There’s the cliched ‘eureka’ moment in the bath of shower of course, but for me, nothing beats the good old commute. Whether on a train, in a car, or on the bus, you can be surrounded by other people yet lost in thought. And as this year trundles to its final stop, it seems a perfect opportunity to reflect on the journey I’ve taken as a writer this year.

My second novel, The Daughters of the Darkness, came out in June. It continues the adventures of Thomas Walker, the wildlife biologist turned monster hunter, whom we met in Shadow Beast. The book is getting some lovely reviews from readers, and is slowly making itself known among the Amazon charts.

A few readers were surprised to find Thomas facing his past rather than picking up exactly where the first story ended. However, there is method in my madness. Firstly, given that Thomas is a hunter of man-eaters, I couldn’t resist pitting him against what are arguably the most famous duo to have ever developed a palette for people: the Tsavo lions. The legend and historic record of the man-eaters features strongly in the narrative, and as we learn in the first book, Thomas has unfinished business with a pride possibly made up of their descendants. There is of course something a little more cryptic (or perhaps cryptid), to their nature too. But, secondly, I also needed some time for things to…shall we say grow? Without giving any spoilers away, Phantom Beast, the third instalment, will see a return to the animals we met in Shadow Beast, and things have certainly…developed!

So, obviously Phantom Beast will be a major project for 2018, but getting stuck into my third novel was also a major part of this year.

But, there are a few other things on the go too. I’ve made progress with a science fiction story, and some headway with a rampaging bigfoot as well. And a recent achievement to my 2017 was mapping out what I see as my “novel universe”. Connecting characters, books, and storylines proved a really interesting exercise and gave me considerable clarity on where to take the stories. It also gave me a considerable to-do-list, so 2018 will be a busy year! Like many writers, I collect notebooks and journals, jotting down everything from vague thoughts to one-liners I’m yet to fit to a character, plot, or storyline!

One of the funnest experiences in 2017 was joining Shannon Legro of Into the Fray Radio for an episode of her excellent podcast. If you’re interested in the paranormal, strange goings-on, cryptids, serial killers, UFOs, and other worldly things, you should definitely check it out. You can find my episode here, and you can find Into the Fray on all good pod catchers.

Another lovely aspect of 2017 was receiving reader mail from all over the world. From a gentleman in Florida, to a horror fan in Germany, I have been amazed and touched to find my books have spread so far, and pleased so many. If you’d like to get in touch, you can drop me a line via luke@blackbeastbooks.co.uk.

So, 2018 beckons, and of course, there’s plenty of things I didn’t get round to doing. I still haven’t set up a website, or started a mailing list. I don’t promote my books enough. Writing and a full-time job do take their toll, but I’m going into the next twelve months a little more prepared and determined. Christmas has seen aids, such as a social media planner from the brilliant Lucy Hall added to my resources, so I’ll hopefully be a little more proactive and less reactionary on my channels.

And along with everything else, I’ll keep writing too. Here’s to 2018!

The Daughters of the Darkness – Pre-order Now!

So, after over two years of waiting (and working hard at the writing desk in my case), I am very pleased to announce that The Daughters of the Darkness is now available to pre-order on Amazon. You can find the details here.

For the moment, only the eBook is available to pre-order, but I am hoping to be able too add the paperback by the weekend, after some formatting issues have been resolved.

It’s also a great time to catch up with the first book in the series – Shadow Beast. As a celebration of the release of Daughters, I’m currently offering it as a free download until Monday. You can get your free copy here, if you haven’t yet had the chance to meet Thomas, Catherine, and of course, the beast.

There’ll be lots more exciting news and updates in the next few days and weeks, but for now, head to Amazon and pre-order your copy of The Daughters of the Darkness today. Content will be delivered automatically to you on Monday.

And one last thing. Thank you. Thank you for reading my books, keeping me going, and for supporting an independent author.

Oh, and one more last thing. Reviews are really important, so please, if you have the time, remember to leave an honest review of what you think. It’s greatly appreciated, and helps get the books even greater levels of exposure. After all, the more books that go out – the quicker I have to write the sequel!

The Daughters of the Darkness – a villain’s tale

With the release of The Daughters of the Darkness now only weeks away, it’s time to introduce you to one of the key new characters, Kanu Sultan.

Kanu Sultan stepped out into the courtyard of his compound. The sun was all but gone and he let the warmth of the last few rays linger on his skin as night crept slowly from the east. He had chosen his new home well; a dense marshland nestled between the three national parks of Tsavo East, Tsavo West and Chyulu Hills. Several other smaller wildlife conservancies were on his doorstep but like the one he now occupied, they had been abandoned following his arrival in the territory. It was a hunter’s paradise, benefiting from the movement of animals between the parks and being close to water. At thirteen miles to the nearest road, the remote location gave him privacy and security but was still central enough for him to have a wide influence over much of the area. Roughly equal distance from his native Mombasa to the east and the more tourist-friendly Nairobi to the west, much of southern Kenya was within his reach, as was the border of Tanzania.

Kanu walked past one of his men, a former Kenyan Army Paratrooper who remained statuesque at his post as he went by. Kanu hand-picked most of his men from either the paratroopers or the Presidential Escort Regiment, Kenya’s best. He also made up their number with some local Maasai, and he paid all of them well. Although relatively small, the force was elite enough to make his reputation formidable and kept his activities safe from government interference. Out here, he was the authority. And it was that authority he was about to exercise now.

At the far left corner of the courtyard he turned, making his way down a flight of stone steps that led to a makeshift prison block. Weeks before, it had held expensive wines and brandies for the paying guests of the game lodge, now serving as his personal quarters. He walked down the dimly lit corridor to the end cell, the only one occupied. He stared in, the flash of his white teeth against his dark face alerting the dishevelled man on the other side of the iron bars to his presence.

“I respect a man who takes risks in business,” said Kanu. “It’s why I asked you, with respect, to go elsewhere. Unfortunately, like most Afrikaans, your greed and disrespect have brought an end to your good fortune.”

“Stepped on your toes did I, kaffa?” the man leered, easing himself up onto his feet from the floor, using the wall to support his weight.

Kanu stiffened slightly at the insult, glancing down the corridor as he heard the hurried footsteps of one of his men. His eyes told the young Maasai to stop where he was, only momentarily glancing at the sack the warrior held out in front of him, its heavily twisted top held firmly between both hands.

“Racism is born of fear Mr. Van Zyl, and fear is natural when facing death. Did you know the kingdom of Kaffa was once a state of what is now Ethiopia? Its first capital was named Bonga, as was the district around it. It was one of the prime trade routes for slaves, which is why both Kaffa and the term Bonga Bonga land came to be used by the whites in such a derogatory way. It was where the slaves came from.”

“Getting back at the whites is it then?” Van Zyl sneered. “Bit late don’t you think?”

“Hardly. You are a dealer of drugs. Instead of plying your trade to wealthy visitors in Nairobi as I suggested, you targeted the poor and vulnerable on the streets of Mombasa. The same streets where I grew up and watched men like you destroy whole families and neighbourhoods. You did not do as I asked Mr. Van Zyl, and that situation demands nothing short of my full attention,” Kanu replied.

“You’re a fucking hypocrite Kanu. You’re a dealer too. Admit it, this is about shutting out the competition,” sneered Van Zyl.

Kanu stepped closer to the bars, his eyes fixed on his captive.

“I don’t mind you selling drugs Mr. Van Zyl,” he said in barely a whisper. “But I do mind who to. And you are wrong, I am not a dealer like you, I am a trafficker. I organise, sell and allow safe passage of product, be it arms or narcotics, through the territory. What I don’t allow is for those items to be used against my people. There are plenty of opportunities outside of Kenya, and even a few within its borders. You were urged to explore them. Now you must face the consequences of not doing so.”

Kanu carefully stepped back, taking a large iron key from his pocket. Van Zyl watched him as he slowly placed it in the lock of the door and turned it. As a heavy sounding clunk signalled the release of the door, Van Zyl shot forwards and pulled it open as he attempted to dart between the two men in his way. Kanu was ready for him, pouncing forward and punching him in the chest with both fists, his forearms straight as spears. Van Zyl was knocked head over heels backwards. He crumpled onto the floor by the back wall.

Before Van Zyl could get up, Kanu quickly took the sack from the Maasai. In one flowing movement, he took the corner in one hand and pinched the top open in the other as he upended it and flung it forward. Van Zyl screamed as an enraged snake leapt towards him, its open mouth and two inch long fangs all he saw before he instinctively raised his arms to shield his face. He was surprised at the heavy impact he felt as the snake hit him. He panicked and threw the snake aside, but not before its teeth sank into the bicep of his right arm. The snake hit the floor with a thud and immediately made for the darkness underneath the cot bed. Once there, it coiled and lay with its eyes fixed on Van Zyl. It made no noise, but its forked tongue tasted the air every few seconds.

“My apologies for the theatrics Mr. Van Zyl,” Kanu said. “The gaboon viper has to be somewhat provoked into delivering an envenomed bite. They’re actually quite docile. But I find them hard to resist being the largest of their kind. The fellow who just bit you weighs 20lbs.”

Van Zyl spat. His mouth tasted dry and his tongue felt heavy and swollen.

“Not exactly common in this part of Kenya, people might get suspicious don’t you think?” he said, beginning to feel slightly faint.

Kanu smiled. “Oh we’re not quite finished yet Mr. Van Zyl. When you’re found, I doubt they’ll think to check for a snake bite. I just needed to slow you down.”

Kanu nodded to the Maasai, who had been joined by another of his men. They both stepped into the cell and picked up Van Zyl, dragging him out and back along the hall towards the stairs. Kanu slipped into the empty room behind them and picked up the snake with ease by the tail. It sought out the open sack as soon as he offered it, and he knotted the top as he walked out. At the top of the stairs, he handed the Maasai the sack.

Van Zyl was thrown across the flatbed of a large green Toyota Land Cruiser truck. Kanu climbed into the open back with him. He looked the man over as the truck pulled off, passing quickly through a large archway made up of the black volcanic stone of the region. The truck ploughed forward into the African night.

Kanu smiled down at the pale sweat strewn face that looked back up at him from the bed of the truck, the eyes bulging and bloodshot.

“I would have allowed you a slightly more luxurious last ride Mr. Van Zyl. I personally would have preferred the air conditioning. But your body is no longer in control, and I couldn’t have you shitting and pissing yourself over my leather seats,” Kanu explained.

He brushed aside the dying man’s shirt. The welted, swollen purple flesh of his shoulder and neck were already beginning to blister. The man could no longer talk from his enlarged tongue. Soon his eyelids would also be too heavy to keep open. Kanu knew the man’s pulse would be racing and slowing with complete irregularity. If simply left, his death could still take up to an hour. He looked up and began to peer into the darkness.

After driving for nearly thirty minutes, Kanu finally thumped on the cabin roof of the old Land Cruiser, giving the signal to stop. The driver pulled over into the long tussock grass.

“My pets are close Mr. Van Zyl, you will not suffer much longer,” Kanu laughed, towering over him.

Van Zyl barely felt the rough grasp of the two men who picked him out of the flatbed and threw him to the ground. The impact of the dry, rock strewn earth on his blistered and swollen flesh sent a wave of agonising pain through his body. He continued to writhe and struggle as he heard the truck pull away, but he no longer had the strength to stand. The sound of the engine dulled, faded and then disappeared altogether.

He lay stricken. His arms and chest felt like they were on fire, and his skin felt tight, like it was too small for him. With great effort he opened his bruised and tumid eyelids and gazed at his hand. His arm had ballooned. Its purple and yellow colouring was punctured by burst cracks that streamed with thin, cherry red blood. He knew he would not stop bleeding now. He closed his eyes, knowing he would not be able to open them again. He gagged and choked on the froth filling his throat, turning his head to the side to try and vent it. His strength left him and he waited for death. Just as his thoughts threatened to fade, a sound piercing the night stabbed him with a momentary surge of adrenalin and renewed panic.

The diabolical laughter crept closer on swift, padded feet. It made the animal sound nervous, but it was a sign of pure confidence. Van Zyl convulsed involuntarily as the hyena sniffed at his head. The animal let out a yip of excitement, leaning in closer to lick the man’s forehead and scalp.

Another sound penetrated the night. A low, deep rumble of warning. The hyena gave a scream of fright, only pausing to snap off one of Van Zyl’s ears as it loped away. Blind and half deaf, his body shutting down in shock as his flesh was putrefied by the snake venom, Van Zyl still had time to sense the presence of the large heavy animal as it came closer. The press of its paw on his chest was the last thing he felt as he slipped into unconsciousness. Moments later, a pair of five and a half inch fangs smashed through his temples.

She dragged the body further into the grass, seeking the cover of scrub and thorn. Deep in a thicket, she lifted her head and let out a thunderous roar, calling in the rest of the pride. She listened to them slink closer as she began to feast on the body.

A breath of wind carried the whisper of the roar to Kanu’s ears as the truck rolled through the night back towards the compound. He smiled.

Big Cats in Books

In order to celebrate World Book Day, I’ve decided to put together a short list of my favourite characters and reads that centre on big cats. Some are heroes, some are villains, some aren’t so easily classified. Cats carry mystery with them – so no wonder they make such excellent characters and subjects for these great books.

Bagheera.

Bagheera is the black leopard that offers his sage like wisdom to Mowgli in Rudyard Kipling’s Jungle Book. Born in captivity as part of a Rajah’s menagerie, he plans his escape into the jungle following the death of his mother. He is described as having the cunning of a mongoose, as bold as a buffalo and as reckless as a wounded elephant. Kipling describes him as having a voice like honey and skin softer than down. The Jungle Book is a real favourite that I return to again and again.

The Tiger – John Vaillant

This is the true story of a man-eating tiger on the prowl outside a remote village in Russia’s Far East. To the horror of a team of hunters, it emerges that the attacks are not random; the tiger is engaged in a vendetta.

Injured and starving, it must be found before it strikes again, and the story becomes a battle of survival between two main characters: Yuri Trush, the lead tracker, and the tiger itself.

Coeurl

Coeurl

Coeurl is an alien cat-like creature that appears in A. E. Van Vogt’s short story ‘Black Destroyer’. It later became incorporated into his novel ‘Voyage of the Space Beagle’. Coeurl is unusual in appearance as a feline as his front legs are twice as long as his hind ones, and he has two tentacle-like appendages attached to his shoulders that possess suction cups. Coeurl feeds on the id of other beings – a potassium based organic compound.

When a human starship arrives on the planet, they find Coeurl but assume him to be an unintelligent animal, and even allow it to come on board. Coeurl realizes it can feed on humans but plays along in order to learn more about them and their ship. Eventually however, it gives in to hunger and kills and feeds on one of the ship’s crew. The crew suspects the Coeurl did it, and tries to prove it by feeding the creature organically-bound phosphorus similar to that in the victim’s bones, but Coeurl is smart enough to pass the test. I remember this book in particular because it was one of the first to ever put you inside the mind of the beast.

The Nature of the Beast – Janni Howker

Nature Beast

It started out as a game. A game that Billy and his friend Mick play to take their minds off the fact that the mill might be closing and everyone could lose their jobs. They’ll hunt down the Haverston Beast, that’s killing sheep and hens and maybe even men, and kill it. So what if the farmers say it’s just a dog – they know that it’s real and they’re out to prove it. But then Billy’s dad finds out that the mill might close for ever, and suddenly the game doesn’t seem so much fun any more – and the terrifying Beast might be closer to home than Billy imagined… An astonishing novel about the monster that is unemployment, and its devastating effects on a local community, The Nature of the Beast is as painfully truthful and relevant today as it was when it was first published, to critical acclaim, in 1985.

Elsa the Lioness

Elsa

Elsa is arguably the most famous lioness in the world after appearing in both Joy Adamson and George Adamson’s books, as well as the movie adaptations. Born Free was a book I used to love reading to escape to a world where man (or woman in this case) and beast walked side by side. Seen through the lens of history, it now appears Joy Adamson was much warmer towards animals than people and both her life and death are subject to controversy, but her stories offer tales of a time and place now gone and much changed.

The Beast in the Garden – David Baron

Garden Beast

When residents of Boulder, Colorado, suddenly begin to see mountain lions in their backyards, it becomes clear that the cats have returned after decades of bounty hunting drove them far from human settlement. In a riveting environmental tale that has received huge national attention, journalist David Baron traces the history of the mountain lion and chronicles one town’s tragic effort to coexist with its new neighbours. As thought-provoking as it is harrowing, The Beast in the Garden is a tale of nature corrupted, the clash between civilization and wildness, and the artificiality of the modern American landscape. It is, ultimately, a book about the future of our nation, where suburban sprawl and wildlife-protection laws are pushing people and wild animals into uncomfortable, sometimes deadly proximity.

Shere Khan

Shere Khan

There is of course, another big cat in Kipling’s Jungle Book. But in contrast to Bagheera’s role as teacher, Shere Khan is the undoubted villain. Despite being born with a crippled leg and scorned by his own mother (classic roots for a psychopath anyone?!), Khan is arrogant and regards himself as lord of the jungle. It is his hunt of humans that separates a certain man-cub from his parents in the first place.

Kipling portrays Khan in the way they were depicted at the time. Cowardly, injured animals that perhaps couldn’t hunt other prey. And although not necessarily true of other big cats, there does seem to be a grain of truth in this. Nearly all of the tigers that Jim Corbett, a famous hunter of man-eaters in India tracked and killed sported injures, just like Lungri – or ‘the lame one’ as Khan’s own mother called him.

If this list of big cats in books hasn’t been quite enough to sink your teeth into, why not check out my novel Shadow Beast. You might just recognise some attributes from these famous felines! Shadow Beast is in Amazon’s Top 100 chart for British Horror. Read it now before the thrilling sequel, The Daughters of the Darkness hits the shelves.

https://t.co/mwC6dyn0Kj

A Place for Product Placement

I’ve been quite lucky that in the twelve months Shadow Beast has been out, the worst review it has received has been three stars, with comments varying from a simple ‘okay read’ to another which gave away the twist and ending. 76% of the reviews give it a five star rating, with another 18% giving it the four star treatment.

Any author should be pleased with that kind of impact and feedback from readers who have put their money down, especially after nearly a year on the market.

However, a latest comment in a review did at least make me chuckle, and I took a little time to consider it. They weren’t very happy with the product placement in the writing. I also suspect he may have been a Land Rover enthusiast, as he took some umbrage that I referred to Thomas’s modified Defender as an Overfinch rather than a ‘Rover’ or ‘Landie’.

It is of course impossible to please all of the people all of the time, and I don’t intend to try, but I thought I would take a little time to talk about product naming and usage in writing generally, and in my own.

First of all, when a self-published author like myself names or uses real life brands and products in their books, it is very unlikely to actually be product placement, where a company has paid for its inclusion. That said, should Rolex be wondering which of their watches Thomas wears, and if they would like me to wear it as an endorsement, it’s this one, but with a leather strap.

Naming a product can have several purposes and uses to a writer. I use it specifically in three ways in the most part. Firstly, I use it to tell the reader something about the character. By associating a character with certain brands, I can provide you with an essence of their personal tastes, financial status, and even possibly things like age, gender and background, and normally in under three words. It can be very useful to set a scene, especially at the beginning of a story.

This is something that one of my favourite authors, Ian Fleming, constantly did. From providing his hero with a shiny Aston Martin DB4 in Goldfinger (you read that correctly, it was in the film that it became the eponymous DB5 we all know and love), to his Rolex (now Omega), the purpose was always to suggest Bond’s swagger by way of his swag.

Secondly, a specific piece of equipment is usually most easily described by its brand and model. I agree that you probably don’t need to know the serial number, but by letting you know that Thomas is using Leica binoculars or shoots a Holland & Holland .465 bolt action rifle, it should help the reader visualise it easier – or in the case of the gun, give you an idea of its power. I don’t see much point in going to great lengths descriptively when naming the product does everything I need it to do.

Another of my favourite authors, Michael Crichton, used this in his writing often. He would always go to great lengths to describe scientific apparatus, surveillance equipment and other items down to the model number. Sometimes I would look them up, sometimes I knew what they were, but I always had the visual reference. Clive Cussler is somebody else who is very fond of mentioning the exact make and model of cars, planes and weapon favoured by Dirk Pitt, his own hero.

Thirdly, by using a real product or brand, it can help reduce word repeats. It provides another option descriptively on top of common adjectives.

There is of course the obvious reason too. It’s always a little bit of wish fulfilment. Authors tend to give their characters the things they’d like to have, from simple attributes to sharp suits and expensive cars.

I know it isn’t always to everyone’s taste, but product naming and use does have a place. In the case of at least a few, it was my editor who asked my to specify brands for the reasons above.

Feedback also has its place, and I’ll certainly keep all of the kind comments and constructive criticism Shadow Beast has attracted as I prepare the sequel, The Daughters of the Darkness. Some, like my recent reviewer may be pleased to hear he’s ditched the Overfinch. I’ve given him a Twisted tuned Defender pick-up instead!

Books to Bark About

Well it’s National Dog Day, and as a reader I have always been pulled in by stories that featured canine characters, whether good or bad. The Call of the Wild has already featured on this blog as one of my favourite books of all time, so some of you will already know I’m a little barking about this kind of thing. So much so, that now I’m a writer, you’ll always be able to find a dog in my own stories. So in order to truly bring these two things together, let’s look at some of the literary canines that leap off my bookshelf.

The Call of the Wild is my comfort book. The one I turn to when I need to feel warm and cosy on the inside, especially if it’s the opposite outside. This book is basically apple pie to me. Well, at least when there’s no apple pie.

The main character in Call of the Wild is Buck, a cross between a St Bernard and a sheepdog. I’ve always imagined him as looking something a little like a modern-day leonberger.

Buck is kidnapped from his comfortable home and sold to a trader, finding himself in the barren and unforgiving landscape of the North during the gold rush. He finds adversaries in dogs and people alike, with his trials eventually awakening something primal in his spirit, but not before he bonds with a man who shows him true love. Torn between instinct and loyalty, Buck moonlights between two worlds until tragedy intervenes and makes the choice for him.

Thor. And I don’t mean the guy with the hammer. I mean a German Shepherd, a loyal family dog at the centre of Wayne Smith’s novel of the same name.

Thor is very protective of his family, and in the past it has landed him and them in trouble. But when something supernatural and savage enters their world, it is first only Thor who can see it. Although his human pack are unaware of his taste for wild rabbit, it soon becomes clear that he is not the only blood thirsty predator in their midst. As the threat draws closer, Thor sets out to protect them at all costs.

Eventually made into the film ‘Bad Moon’, which was also pretty good!

No list of anphropomorphic tales would be complete without at least one Richard Adams novel, so enter the Plague Dogs. The story of Rowf and Snitter, an old black labrador and a fox terrier who escape from a research laboratory, is something really quite special.

Adams’s unique story telling style forces us to see the dogs in the story as people and the humans as animals, something made abundantly clear when we discover what Rowf and Snitter have been exposed to.

Not exactly a feel good story, but still somehow a beautiful one.

Fang and Fluffy. Two of the best misnamed dogs in all literature. Fang is a coward, who runs away at the first sign of danger despite being a Neapolitan Mastiff, whilst Fluffy is a three-headed, ferocious cerberus of gigantic size! And both are encountered within the pages of J.K. Rowling’s Harry Potter and the Philosopher’s Stone.

Both are also owned by Hagrid, the half-giant grounds keeper with a penchant for dangerous animals.

Hagrid is my kind of guy!

And of course, not all doggy characters are good guys. In Cujo, the master of horror himself Stephen King takes the breed of dog known for saving lives and outstanding loyalty, the St Bernard, and turns it into 200lbs of terror.

When Cujo is bitten by a rabid bat, he too soon falls victim to the disease with no cure. As his senses and sanity are ravaged by the deadly virus, so Cujo turns on the inhabitants of a sleepy, backwater town with similarly savage results.

Arguably the most famous canine villain of all time though can be found within the pages of Sir Arthur Conan Doyle’s The Hound of the Baskervilles. The large and deadly dog is never fully identified beyond being of ‘mastiff’ type, but that doesn’t stop it killing two people during the course of the story.

The tale was in fact based on legends Sir Arthur heard whilst staying on Dartmoor, centred around a phantom squire and his pack of hellhounds, said to be heard baying when the moon was full and the night was clear.

Sherlock Holmes and a creature feature. What’s not to like!

I could of course mention many more. From the rough collie of Lassie Come Home, Pongo and Missus of 101 Dalmatians, Montmorency of Three Men In a Boat, Toto of Wizard of Oz, or even the haphazard Afghan pup what-a-mess, dogs are a firm favourite when it comes to books, and certainly in my library at least.

So it shouldn’t really be a surprise to find not one, but several dogs in my own book, Shadow Beast. The first and most prominent is Meg, a three-legged Border Collie who lives with Thomas Walker, my protagonist. Like most dogs, Meg has probably helped her owner stay sane and been there for him in moments of loneliness. She also saves his life later on in the story. You’ll also find a team of fearsome hunting dogs, and a pack of hounds to boot. But don’t be alarmed if you’re not a dog person, there’s also a cat in it too 😉 And it’s a big one.

http://t.co/4y3gJq8Phi

The Legend of One-Eye

When Peter Benchley wrote Jaws, he had no idea that he had literally created a monster. Not only did it become one of the biggest selling novels of all time, but it was made into a movie that became the first ever summer blockbuster, setting the trend ever since. What is interesting is that later on, Benchley became a committed advocate for shark conservancy, and stated that he would not be able to write Jaws based on what he had discovered about them since he first put pen to paper.

It’s important to realise that fiction is exactly that, fiction! Benchley also stated that he was no more responsible for people’s attitudes to sharks than Mario Puzo was for the mafia. Sharks do after all eat people, as do other things, whether we like it or not! In the real world man is the real monster, responsible for far more bloodshed and cruelty. But in our imaginations at least, nature has always been queen when it comes to our most primal of nightmares.

In Shadow Beast, another monstrous animal is at the heart of the story, as is my love of the Highlands and its amazing wildlife, including the endemic and endangered Scottish wildcat.

In the book you’ll find themes of conservation and re-wilding, but I wanted to do more than simply put these topics out there. I wanted to get behind them too. So with that in mind, I’ll be donating 15% of my February book sale profits to Wildcat Haven and the Save the Scottish Wildcat campaign. More details about their work can be found at http://www.scottishwildcats.co.uk

At the same time, I wanted to celebrate their work with some of my own, and I thought it would be a great opportunity to explore the origins of a character who makes a legendary entrance in the book. One-Eyed Tom, the wildcat.

The Legend of One-Eye

The world around him was bathed in the sepia glow of a night-long twilight only his eyes could see. Two silent bounds took him to the edge of the stream, where a flick of his paw fished the unsuspecting frog from the water. There was no pause to play or pounce tonight, and he crunched and gobbled down the still wriggling amphibian in quick, successive bites. Every sense was on heightened alert. Even as he ate, he glanced with furious purpose in the direction of every sound his pricked ears caught.

He moved off, checking his path and surroundings every few steps. He stopped at a favoured mound of brown, dead heather to scent mark the border of his territory that ran along the stream. His face crumpled into a silent snarl. An intruder had crossed the path and left their own musk lacing the crumbly soil. The big tom sprayed the area liberally with urine, then meticulously rubbed the heather and ground with the scent glands in his cheeks. He scraped the damp ground into a mush with his back feet and continued on his path.

The piercing, single scream made him stop in his tracks. His head snapped to a path to the left, heading deeper into his territory. He knew the rabbit warren that the path led to, and he now realised the purpose behind the intruder’s insurrection. Such blatant disregard to his presence and home could not be tolerated. He turned onto the path, hunkering down as he made his way along it with silent, shadowy focus.

The sandy soil veiled his approach by absorbing his footfalls in noiseless padding. He approached the ridgeline and paused at its top. This was where he normally watched and waited for the rabbits to emerge into the dust-bowl clearing in front of him. The slight elevation and cover of the heather-lined ridgeline was the perfect ambush site. He could see where the intruder had launched from the same spot, and his eyes searched him out, knowing he was close.

His hardened stare came to rest on a crouched silhouette on the far side of the clearing. As the hairs in his ears fluffed and expanded to elevate his hearing even further, he picked up the sound of crunching, crushing teeth. Then the wind changed direction, and a cool breeze brought the scent of death and the younger cat to him.

He yowled his intent, unable to contain his rage any longer. He barrelled forward, growling and hissing as he covered the ground in rapid, rippling steps. His snarl was answered by a quivering, spitting growl of savagery. His adversary stepped out into the moonlight, boldly meeting his gaze. But the big tom could sense the hesitancy, reflected in the curve of the newcomer’s back and by the way he half-sat on his rear haunches.

The big tom growled, flicking his tail back and forth in a maddened fury against the ground. The yowl in his throat built to a scream. The younger, smaller male answered with his own caterwaul of threat. The two wildcats stood almost nose to nose, their fur bristling on end and their muscles taught and ready for combat. Each stared into the mirrored savagery before them. The time had come.

In a sudden moment of doubt, the young cat tried to dash past his adversary, but the big tom was too quick. He rammed the off-balance intruder with his shoulder and a butt of his head, his rear paws lifting off the ground as he rippled into a pounce that sent four sets of extended claws and his flashing fangs through the fur and flesh of his screaming opponent.

The younger cat didn’t hesitate to answer the assault, clasping the tom’s head in the vice-like embrace of its front claws. As the big tom punched and pawed repeatedly at the intruder’s back and stomach, his adversary twisted round and clamped his jaws over his muzzle, now in a position to also slash away at the exposed flank of the big tom with his hind paws.

They clung to each other, growling, hissing and snarling through a pain that only fuelled their fury. But a lucky scrape of the young cat’s hind leg sent the big tom spinning backwards, releasing the intruder from his fangs. The young male raced to the ridge and sank into its shadow, pausing at the top to glance and glower at the one whose territory it had invaded. The older cat had already turned his back, knowing he had won the fight. He now nosed at the dead rabbit, ready to claim his prize as victor. The intruder was overcome with renewed fury, and launched into the air, his front claws reaching out for a deadly embrace. The big tom whipped round in a fearsome frenzy, saw his opportunity, and leapt too. His fangs found the throat of the young cat and he used his bulk and might to bring him to the ground. The intruder writhed in silent revolt as the pressure on his larynx strangled the life from him. His forepaws and claws rained flailing blows on his killer’s head, but it was to no avail. A last, limp cuff slashed across the big tom’s left eye as the young cat’s world went black.

The wildcat grimaced and spat, rolling in the dirt with the pain. He screamed in fury, searching out the path by feel as he howled his way back to the stream, blinded by his blood and rage. The big tom slapped and sucked at the water, ducking his head under as he occasionally did to fish. After some time, the pain began to ebb, and he wandered away towards a favoured hollow to rest.

The creature slunk into the clearing and nosed the dead rabbit, before slumping down onto the sandy soil beside it. It casually skinned its meal with a few gentle tugs of its jaws, and it swallowed the meagre mouthfuls of meat it provided. It rose again and padded over to the dead wild cat, a distrustful growl rumbling in its throat. It had come across the smaller cats before as a youngling and knew their savagery and flickering charge all too well. It knew better than to tolerate their presence. It picked up the dead wildcat in its jaws and disappeared back into the shadow of the waiting forest.

If you haven’t bought a copy of Shadow Beast on Kindle or in paperback, now you can get a great book and help what is very likely the most endangered cat in the world at the same time! Click on the link below to get your copy today!

http://hyperurl.co/fuuugp

Making The Write Connection with a Character

Like most new authors I imagine, I go a little bit crazy towards the end of the day. I diligently start checking each of my channels, not just for sales reports but also for reviews! It’s almost becoming a little routine. That little check before bed to see if someone has said something nice about the years, months and hours of work you’ve offered up to the world. If they have, my reaction tends to be a strange dance that suggests I’ve been shot in the leg, followed by several screeches of excitement and a scurry across the room to fetch my phone to share said review on social media. I haven’t had a bad one yet, but odds are it might get exactly the same reaction.

I happened across my latest review on GoodReads yesterday and got excited for two very different reasons. Firstly, it was from somebody on a different continent to me, and secondly, they had nicknamed the heroine in my story Catherine, Kat. I was genuinely touched that a reader had felt so close to the character they had adopted a nickname for her that wasn’t used in the book!

I spent a lot of time developing three main characters in Shadow Beast, namely Thomas, Catherine and Fairbanks. These three came under the microscope the most, well other than the elusive creature itself, who didn’t get a profile but lots of notes on behavior and temperament! I used very detailed questionnaires and profiles to build a picture of them in my head. I also cast them as actors, as if I were making a film. That helped give me an idea of what they looked like, as well as who they were.

I’m not going to tell you who I had in mind when I created Catherine for the same reason I haven’t included a picture of some random redhead here as a reference – I want you to meet her for yourself so you can form your own idea. But I will tell you a little bit about her.

Firstly, it was important to me that she wasn’t just a scream-queen. She needed to be an equal to Thomas, certainly as strong-willed and as strong-minded if she was going to stand up to swap insults and arguments with him. She had to be sharp and intelligent. She is a self-made woman who has fought through a lot in life, from bad treatment at the hands of her employers to being used by a callous colleague in an ill-fated affair. She’s tough, firm, kind and downright lovely.

Shaping her helped shape the story too. At first, I had her driving a beaten up Alfa Romeo estate car, simply because I like Alfas. But it soon became clear that the practical nature of her work and who she was suited something a bit more robust, so she was upgraded to a truck with four-wheel drive. At the same time, realising she was young and single in a small village made it obvious that she would be friends with another character in similar circumstances. Making them friends helped change the emotive feel of a key chapter in the book to something far more dramatic and gripping.

And yeah, she’s just a little bit gorgeous too. Red hair and green eyes. Sigh. Even in real life its pretty much my kryptonite. But that was important too. I had to really feel something for Catherine if I was going to get the emotion, passion and intrigue I wanted into the story. And going on my latest review at least, it seems to have worked.

And remember, if you do take a chance on an independently published book and enjoy it, the best way you can say thank you to the author is to leave a review on Amazon, GoodReads and so forth to help share and spread the joy. It really does tickle us to know our stories are being read and liked!

http://hyperurl.co/fuuugp